Cassio arrives with orders for Othello: Othello is to meet with the duke and senators of Venice about a Turkish invasion of the Venetian colony of Cyprus. ‘But that I love the gentle Desdemona. For example, Othello is presented in the first act as the “valiant” General whose adventurous history won Desdemona’s heart. Throughout Act 1 – Scene 1 Othello is referred to as a ‘Moor’ by Brabantiao, Iago and Roderigo. … The character's origin is traced to the tale "Un Capitano Moro" in Gli Hecatommithi by Giovanni Battista Giraldi Cinthio.There, he is simply referred to as the Moor. Othello fits all of the criteria of a tragic hero that Aristotle outlined in his work, "Poetics" According to Aristotle: . The critic, Leavis, says that ‘Eloquence is a form of arrogance’. Change ), You are commenting using your Twitter account. Othello’s fatal flaw is his faith in his close friend, who is a shrewd strategist with pernicious ulterior motives. However, Othello is not simply a victim of the wider plot. Shakespeare's other great tragedies -- Hamlet, King Lear and Macbeth -- … The characterisation of Othello was presented through the dominant ideology of the predilection, prejudice and paragon image of race. The noun ‘barbary’ descends from the word barb, an Arabian breed of horse that is known for aggressive tendencies. In it, Iago speaks carefully and at length with Othello and plants the seeds of suspicion and jealousy, which eventually bring about the tragic events of the play. The adjective ‘lascivious’ also suggests that Othello is sex crazed and focussed. Ania Loomba’s opinions in her analysis upon Othello are similar to mine.Ania says ‘Othello yokes together and reshapes available images of ‘blackamors’ and moors. When he spoke eloquently to the Venetian council in (I.iii), his enthralling monologues were written in loose iambic pentameter and included some very effective rhetoric. In Act One Scene Two, we meet Othello in a conversation between him and Iago.From what he says and from the way he speaks, here is where we can begin to question our first impressions that we accumulated of him in Act One Scene One. For instance, at one point Othello demands that Iago provide "ocular proof" of Desdemona's infidelity—he demands to see reality. He is a noble man who possesses all the qualities of a military leader, which he is. London: MacMillan and Co., 1919. As well as constantly referring to him as ‘the moor’ he calls him an ‘old black ram’ with ‘thick lips’ using animalistic imagery to refer to Othello in a sexual derogatory manner. Iago goes on to further describe Othello in his speech to Brabintio, ‘To the gross clasps of a lascivious Moor. Othello is a brave and competent soldier of advanced years and Moorish background in the service of the Venetian Republic.He elopes with Desdemona, the beautiful daughter of a respected Venetian senator.After being deployed to Cyprus, Othello is manipulated by his Ancient (pronounced Ensign) Iago into believing Desdemona is an adulteress. However, the core of these problems and his main tragic flaw is his insecurities. ’ This shows us that although Othello is much more reasonable than the other men, he still goes along with the general stereotype of the time to ‘win’ a female, rather than just marrying them because of mutual love. In Othello, the major themes reflect the values and the motivations of characters.. Love. Ultimately, Othello's death is ultimately fitting but he is both a … Othello is presented as an outsider in Act 1 – Scene 1 through Shakespeare’s use of metaphors. Othello is referred to as a "Barbary horse" (1.1.113) and a "lascivious Moor" (1.1.127). If you need this or any other sample, we can send it to you via email. Jealousy runs the characters’ lives in Othello from the beginning of the play, when Roderigo is envious of Othello because he wishes to […] Pages: 3 Words: 1031 Topics: Desdemona, Othello, William Shakespeare. Iago refers to jealousy as the "green-eyed monster." ‘Moor’ has connotations of dark colours in reference to complexion which in this society, dark colours were common in references to sin, filth, ugliness and the devil, leading to a lot of cultural baggage associated with the term ‘moor’. This represents him as an antagonist who is out to take advantage of and ruin Desdemona, who is represented as a vulnerable, innocent woman who knows no better. At the beginning of the play Othello is presented as an honorable man of noble stature and high position. Iago plays upon Othello's personality and exploits Othello's tendency to be overly proud. 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